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La MaMa Experimental Theatre Club is dedicated to the artist and all aspects of the theatre. La MaMa builds audiences that are integral to the creative process. Our local and global community members who gather in our physical, digital, and hybrid spaces to see new work, are often the first audience for that work. The audience response helps to shape the evolution of the piece for the artist, and is an essential part of the creative ecosystem that La MaMa nurtures. La MaMa is the only original Off-Off-Broadway theatre still in operation.
Source: IRS Form 990 (Tax Year 2024)
Source: IRS e-Filed Form 990 (from the IRS e-File system), Tax Year 2023
Total Revenue
▼$4.6M
Program Spending
62%
of total expenses go to program services
Total Contributions
$2.9M
Total Expenses
▼$5M
Total Assets
$27.7M
Total Liabilities
▼$3.9M
Net Assets
$23.8M
Officer Compensation
→$161.4K
Other Salaries
$1.8M
Investment Income
$7,986
Fundraising
▼$34.5K
Source: USAspending.gov · Searched by organization name
Total Federal Funding
$1.6M
Awards Found
35
National Endowment for the Humanities
$299.2K
PRESERVING OFF-OFF-BROADWAY: EXPANDING ACCESS TO LA MAMA?S BORN-DIGITAL MATERIALS ["PRESERVING OFF-OFF-BROADWAY: EXPANDING ACCESS TO LA MAMA?S BORN-DIGITAL MATERIALS" WILL HELP BUILD THE LA MAMA ARCHIVES COLLECTION BY ADDING BORN-DIGITAL PRODUCTION DOCUMENTATION FROM 2005-2015 AND BORN-DIGITAL PRODUCTION FOOTAGE FROM 2011 ONWARD. THIS INCLUDES PROGRAMS, POSTERS, PRODUCTION SCHEDULES, DIGITAL PHOTOGRAPHS, AND OTHER TYPES OF ELECTRONIC RECORDS. DURING A THREE-YEAR CATALOGING PROJECT, THE ARCHIVE WILL PRESERVE, CATALOG, AND PUBLICLY SHARE THESE RECORDS, AS WELL AS IMPROVE RESEARCHER ACCESS TO AND LONG-TERM PRESERVATION OF OUR BORN-DIGITAL FOOTAGE. TO DATE, LA MAMA HAS SUPPORTED MORE THAN 5,000 PRODUCTIONS, MANY OF WHICH ARE REPRESENTED IN OUR PERFORMANCE FOOTAGE COLLECTION AND ALL ARE REPRESENTED WITHIN THE ARCHIVE'S "SHOW FILES." PRESERVING AND PROVIDING ACCESS TO THESE MATERIALS IS VITAL FOR RESEARCHERS OF OFF-OFF BROADWAY AND AMERICAN CULTURAL HISTORY, AS WELL AS FOR THE THOUSANDS OF ARTISTS WHO HAVE CROSSED LA MAMA?S STAGES.]
National Archives and Records Administration
$100K
TO SUPPORT THE DIGITIZATION OF 250 HOURS OF VIDEOTAPE DOCUMENTING 170 PERFORMANCES STAGED BETWEEN 1972-1980 AT THE NEW YORK THEATER KNOWN FOR EXPERIMENTATION AND FOCUS ON ARTISTS? RESPONSES TO PRESSING SOCIAL, CULTURAL, AND AESTHETIC ISSUES.
National Endowment for the Arts
$95K
TO SUPPORT CULTUREHUB, AN INTERACTIVE VIDEO CONFERENCING SYSTEM THAT ENCOURAGES PARTICIPANTS TO CREATE WORK WITH ARTISTS/COLLABORATORS AT ANOTHER SIT
National Endowment for the Arts
$65K
TO SUPPORT CULTUREHUB, AN INTERACTIVE VIDEO CONFERENCING SYSTEM USING A TELEPRESENCE THAT ENCOURAGES PARTICIPANTS TO CREATE WORK WITH ARTISTS/COLLABO
Institute of Museum and Library Services
$64.9K
THE LA MAMA EXPERIMENTAL THEATRE CLUB WILL CONTINUE AN ONGOING EFFORT TO PRESERVE AND DIGITIZE THEIR ARCHIVAL MATERIALS. THE COLLECTION CHRONICLES AN IMPORTANT AMERICAN LEGACY--THE ARTISTS, COMPANIES, AND HISTORIC PRODUCTIONS THAT FOUND A HOME AT LA MAMA AND HAVE HAD A LASTING INFLUENCE ON THE PERFORMING ARTIST LANDSCAPE IN THIS COUNTRY. THE PROJECT WILL FOCUS ON CATALOGUING AND DIGITIZING THE CORE COLLECTION MATERIALS THAT DOCUMENT THE OFF-OFF BROADWAY MOVEMENT AS IT DEVELOPED FROM 1991-2008 AND EXPAND ACCESS TO THESE MATERIALS THROUGH THE LA MAMA ARCHIVES DIGITAL COLLECTIONS PORTAL. NEW CATALOG RECORDS WILL DOCUMENT PAPER MATERIALS THAT COMPRISE THE COLLECTION OF PROGRAMS, FLYERS, POSTERS, PRODUCTION NOTES, AND PHOTOGRAPHS FROM THE COLLECTION.
National Endowment for the Arts
$50K
TO SUPPORT FACILITIES COSTS IN RESPONSE TO THE COVID-19 PANDEMIC.
National Endowment for the Arts
$50K
TO SUPPORT THE DEVELOPMENT AND PRODUCTION OF "THE STOPPED BRIDGE OF DREAMS," WRITTEN AND DIRECTED BY JOHN JESURUN.
National Endowment for the Humanities
$46.4K
PRESERVING OFF OFF-BROADWAY: DESIGNING IMPROVED CLIMATE CONTROL FOR THE LA MAMA ARCHIVE [THE LA MAMA ARCHIVE RESPECTFULLY REQUESTS A CHALLENGE GRANT FROM THE NATIONAL ENDOWMENT FOR THE HUMANITIES TO MAKE CRITICAL SHORT-TERM CLIMATE CONTROL IMPROVEMENTS TO OUR SPACE, AS WELL AS TO CREATE A LONG-TERM PLAN FOR THE CAPITAL RENOVATION OF THE ARCHIVE. THIS PROJECT FITS WITHIN LA MAMA?S MASTER CAPITAL PLAN TO RENOVATE OUR EAST VILLAGE PROPERTIES. THE RENOVATION ARCHIVE?S HOME AT 66 EAST 4TH STREET WILL NOT BEGIN FOR ANOTHER 7-10 YEARS. HOWEVER, THE ARCHIVE CANNOT WAIT TO HAVE ADEQUATE CLIMATE CONTROL. THIS PROJECT, AS PART OF THE LARGER, EVENTUAL RENOVATION OF THE ENTIRE BUILDING, WILL FUNDAMENTALLY SUPPORT THE HUMANITIES WORK OF THE ARCHIVE BY IMPROVING THE ENVIRONMENTAL CONDITIONS OF THE ARCHIVE THROUGH MONITORING, ASSESSMENT AND THE INSTALLATION OF NEW EQUIPMENT.]
National Endowment for the Arts
$40K
TO SUPPORT CULTUREHUB, AN INCUBATOR FOR CREATIVITY FOCUSED ON THE INTERSECTION OF ART AND TECHNOLOGY.
National Endowment for the Arts
$40K
TO SUPPORT THE PRESENTATION OF "PASS THE BLUTWURST BITTE" CREATED IN 1986 BY JOHN KELLY.
National Endowment for the Arts
$35K
PURPOSE: TO SUPPORT EXPERIMENTS IN DIGITAL STORYTELLING AN INITIATIVE TO ADVANCE THE WORK OF ARTISTS EXPERIMENTING WITH EMERGING TECHNOLOGIES IN SEARCH OF NEW ARTISTIC FORMS.
National Endowment for the Arts
$30K
PURPOSE: TO SUPPORT EXPERIMENTS IN DIGITAL STORYTELLING, AN INITIATIVE TO ADVANCE THE WORK OF ARTISTS EXPERIMENTING WITH EMERGING TECHNOLOGIES IN SEARCH OF NEW ARTISTIC FORMS.
National Endowment for the Arts
$30K
PURPOSE: TO SUPPORT THE DEVELOPMENT AND WORLD PREMIERE PRODUCTION OF CREATURES, A SERIES OF SITE-SPECIFIC THEATER WORKS DEVISED BY ERIK EHN, IN COLLABORATION WITH LAMAMA'S GREAT JONES REPERTORY COMPANY.
National Endowment for the Arts
$30K
PURPOSE: TO SUPPORT THE PRODUCTION OF GREAT JONES REPERTORY'S HUMANISMO: ANCIENT FUTURES SERIES.
National Endowment for the Arts
$30K
PURPOSE: TO SUPPORT A DIGITAL STORYTELLING LAB FOR MEDIA ARTISTS CREATIVE CODERS WRITERS GAME DESIGNERS AND PERFORMANCE ARTISTS TO CREATE NEW WORKS INCORPORATING EMERGING TECHNOLOGY.
National Endowment for the Arts
$30K
TO SUPPORT A DIGITAL STORYTELLING LAB FOR MEDIA ARTISTS CREATIVE CODERS WRITERS GAME DESIGNERS AND PERFORMING ARTISTS TO CREATE NEW WORKS INCORPORATING EMERGING TECHNOLOGY.
National Endowment for the Arts
$30K
TO SUPPORT GENERAL OPERATING COSTS IN RESPONSE TO THE COVID-19 PANDEMIC.
National Endowment for the Arts
$30K
TO SUPPORT A DIGITAL STORYTELLING LAB FOR MEDIA ARTISTS CREATIVE CODERS WRITERS GAME DESIGNERS AND PERFORMING ARTISTS TO CREATE NEW WORKS INCORPORATING EMERGING TECHNOLOGIES.
National Endowment for the Arts
$30K
TO SUPPORT A DIGITAL STORYTELLING LAB FOR MEDIA ARTISTS CREATIVE CODERS WRITERS GAME DESIGNERS AND PERFORMING ARTISTS TO CREATE NEW WORKS INCORPORATING EMERGING TECHNOLOGIES.
National Endowment for the Arts
$30K
TO SUPPORT THE PRODUCTION OF SHAKESPEARE'S "THE TEMPEST," DIRECTED BY KARIN COONROD WITH AN ORIGINAL SCORE BY COMPOSER ELIZABETH SWADOS.
National Endowment for the Arts
$30K
TO SUPPORT THE RECREATION OF PING CHONG'S SEMINAL WORK "THE ANGELS OF SWEDENBORG," AN INTERDISCIPLINARY PERFORMANCE PIECE.
National Endowment for the Arts
$30K
TO SUPPORT THE CREATION, DEVELOPMENT, AND PRODUCTION OF A NEW ADAPTATION OF THE GREEK MYTH "CUPID & PSYCHE."
National Endowment for the Arts
$25K
TO SUPPORT CULTUREHUB, AN INCUBATOR FOR CREATIVITY FOCUSED ON THE INTERSECTION OF ART AND TECHNOLOGY.
National Endowment for the Arts
$25K
TO SUPPORT THE DEVELOPMENT AND PREMIERE OF "SEVEN," A DOCUMENTARY THEATER PIECE PRODUCED IN CONSORTIUM WITH VITAL VOICES GLOBAL OF WASHINGTON, DC.
National Endowment for the Arts
$20K
TO SUPPORT PERFORMER AND MUSICIAN FEES FOR A PRODUCTION OF THE BEAUTIFUL LADY WITH BOOK BY ELIZABETH SWADOS AND PAUL SCHMIDT, AND MUSIC AND LYRICS BY ELIZABETH SWADOS.
National Endowment for the Arts
$20K
TO SUPPORT A PRODUCTION OF THE TROJAN WOMEN WITH RELATED AUDIENCE ENGAGEMENT ACTIVITIES.
National Endowment for the Arts
$20K
TO SUPPORT THE PRODUCTION AND PRESENTATION OF EXPERIMENTAL THEATRE CLASSICS RE-IMAGINED USING EMERGING MEDIA ART FORMS AND INCLUDING RELATED PUBLIC PROGRAMMING.
National Endowment for the Arts
$20K
TO SUPPORT CULTUREHUBS FALL MEDIA ARTS SERIES.
National Endowment for the Arts
$20K
TO SUPPORT THE DEVELOPMENT AND PREMIERE OF "FURIOUS DIASPORA.
National Endowment for the Arts
$20K
TO SUPPORT THE LA MAMA MOVES! DANCE FESTIVAL, A SHOWCASE OF NEW DANCE PIECES AND WORKS-IN-PROGRESS BY EMERGING AND VETERAN CHOREOGRAPHERS.
National Endowment for the Arts
$20K
TO SUPPORT THE WORLD PREMIERE OF A NEW WORK INSPIRED BY BLACK MADONNA ICONS, BY CHOREOGRAPHER MAUREEN FLEMING.
National Endowment for the Arts
$15K
TO SUPPORT THE CREATION AND PRESENTATION OF A NEW SOLO PERFORMANCE WORK TIME NO LINE BY JOHN KELLY.
National Endowment for the Arts
$10K
TO SUPPORT AN ADAPTATION OF "PYLADES."
Source: Federal Audit Clearinghouse (fac.gov)
No federal single audit records found for this organization.
Single audits are required for entities expending $750,000+ in federal awards annually.
Tax Year 2024 · Source: IRS e-Filed Form 990
Individuals serving as officers, directors, or trustees of the organization.
| Name | Title | Hrs/Wk | Compensation | Related Orgs | Other |
|---|
Source: IRS Publication 78, Auto-Revocation List & e-Postcard Data
Tax-deductible contributions: Yes
Deductibility code: PC
Sources: IRS e-Filed Form 990 (XML) & ProPublica Nonprofit Explorer
Scroll →
| Year | Revenue | Contributions | Expenses | Assets | Net Assets |
|---|---|---|---|---|---|
| 2023IRS e-File | $4.6M | $2.9M | $5M | $27.7M | $23.8M |
| 2022IRS e-File | $7.5M | $6.4M | $3.9M | $31.3M | $24.2M |
| 2021 | $5.6M | $4.2M | $2.4M | $16.9M | $12.7M |
| 2020 | $5.4M |
Sources: ProPublica Nonprofit Explorer & IRS e-File Index
Financial data: IRS e-Filed Form 990 (Tax Year 2023)
Leadership & compensation: IRS e-Filed Form 990, Part VII (Tax Year 2024)
Federal grants: USAspending.gov (live)
Organization info: IRS Business Master File
Tax-deductibility: IRS Publication 78
| Total |
|---|
| Frank Carucci | President | 5 | $0 | $0 | $0 | $0 |
| Joan Rose | Vice President | 5 | $0 | $0 | $0 | $0 |
| Donald Capoccia | Treasurer | 5 | $0 | $0 | $0 | $0 |
| Richard Pinner | Secretary | 5 | $0 | $0 | $0 | $0 |
Frank Carucci
President
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Joan Rose
Vice President
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Donald Capoccia
Treasurer
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Richard Pinner
Secretary
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Members of the governing board. Board members often serve without compensation.
| Name | Title | Hrs/Wk | Compensation | Related Orgs | Other | Total |
|---|---|---|---|---|---|---|
| Byung Koo Ahn | Member | 2 | $0 | $0 | $0 | $0 |
| Eugene Chai | Member | 5 | $0 | $0 | $0 | $0 |
| Jane Friedman | Member | 5 | $0 | $0 | $0 | $0 |
| Joel Zwick | Member | 2 | $0 | $0 | $0 | $0 |
| Luis Ubinas | Member | 5 | $0 | $0 | $0 | $0 |
| Mary Fulham | Managing Dir. | 40 |
Byung Koo Ahn
Member
$0
Hrs/Wk
2
Compensation
$0
Related Orgs
$0
Other
$0
Eugene Chai
Member
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Jane Friedman
Member
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
| $4.4M |
| $2.6M |
| $11.6M |
| $9.5M |
| 2019 | $4.9M | $3.4M | $2.8M | $7.2M | $6.7M |
| 2018 | $3.2M | $1.8M | $3.1M | $4.7M | $4.5M |
| 2017 | $3M | $1.6M | $2.7M | $3.4M | $3.2M |
| 2016 | $3.2M | $1.8M | $2.8M | $2.8M | $2.6M |
| 2015 | $3.2M | $1.8M | $3.1M | $2.3M | $1.8M |
| 2014 | $2.5M | $1.2M | $2.5M | $1.7M | $1.1M |
| 2013 | $2.3M | $1.3M | $2.3M | $490.5K | $439.3K |
| 2012 | $2.3M | $1.3M | $2.2M | $715.8K | $612.1K |
| 2011 | $2M | $1.1M | $1.9M | $427.2K | $271K |
| 2021 | 990 | Data |
| 2020 | 990 | Data |
| 2019 | 990 | Data |
| 2018 | 990 | Data |
| 2017 | 990 | Data |
| 2016 | 990 | Data |
| 2015 | 990 | Data |
| 2014 | 990 | Data |
| 2013 | 990 | Data |
| 2012 | 990 | Data |
| 2011 | 990 | Data |
| 2010 | 990 | — |
| 2009 | 990 | — |
| 2008 | 990 | — |
| 2007 | 990 | — |
| 2005 | 990 | — |
| 2004 | 990 | — |
| 2003 | 990 | — |
| 2002 | 990 | — |
| 2001 | 990 | — |
| $71.5K |
| $0 |
| $0 |
| $71.5K |
| Matthew Hall | Member | 2 | $0 | $0 | $0 | $0 |
| Mia Yoo | Artistic Dir. | 40 | $78.7K | $0 | $9,720 | $88.4K |
| Scott Wittman | Member | 2 | $0 | $0 | $0 | $0 |
| Steven Malkenson | Member | 5 | $0 | $0 | $0 | $0 |
| Timothy Fulham | Member | 5 | $0 | $0 | $0 | $0 |
| Wynn Salisch | Member | 2 | $0 | $0 | $0 | $0 |
Joel Zwick
Member
$0
Hrs/Wk
2
Compensation
$0
Related Orgs
$0
Other
$0
Luis Ubinas
Member
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Mary Fulham
Managing Dir.
$71.5K
Hrs/Wk
40
Compensation
$71.5K
Related Orgs
$0
Other
$0
Matthew Hall
Member
$0
Hrs/Wk
2
Compensation
$0
Related Orgs
$0
Other
$0
Mia Yoo
Artistic Dir.
$88.4K
Hrs/Wk
40
Compensation
$78.7K
Related Orgs
$0
Other
$9,720
Scott Wittman
Member
$0
Hrs/Wk
2
Compensation
$0
Related Orgs
$0
Other
$0
Steven Malkenson
Member
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Timothy Fulham
Member
$0
Hrs/Wk
5
Compensation
$0
Related Orgs
$0
Other
$0
Wynn Salisch
Member
$0
Hrs/Wk
2
Compensation
$0
Related Orgs
$0
Other
$0